February always sits in between — still winter, but with the light beginning to change in a way you can feel, even if you can’t yet dress for it. Our latest collection lives in that space. It’s a lighter read on winter, built around layers that can be interwoven and peeled back as the season softens. We mined our catalog and archives, pulling forward familiar Buck Mason staples in new fabrics and patterns, and revisiting the pillars of workwear, tailoring, and western wear with small but meaningful updates. The spirit is rooted in mid‑century American department store tradition — the era when a man might buy a twill shirt, a sport coat, and a pair of chinos under the same roof, each made to last and to be worn often.

At the heart of the collection are the shirts — the daily drivers. Pacific Twill shirting is built from durable twill that holds its shape but feels broken-in from the start. The Chambray Western leans into tradition with pearl snaps, a curved yoke, and scalloped pockets, its Japanese twill washed down as if it has already seen years of dust and daylight. The Sawtelle Sawtooth follows the same western lineage, its double-point pockets and Japanese denim giving the 1950s silhouette real substance.

Outerwear carries the weight of the season. The Bruiser PCH, in full-grain semi-veg-tanned leather, borrows its bones from 1940s-era work jackets and lets patina do the storytelling over time. The Rough Rider Type III retools the classic trucker in supple cowhide with a cropped, functional fit that’s equal parts rugged and considered. The Breakwater Sportster Jacket, cut in 

Japanese gabardine glen plaid, nods to 1960s Drizzlers with a water-repellent finish that feels practical without looking technical.

Knitwear and tailoring round things out. The Seafarer Traveler, a new addition to the Seafarer collection, is a raglan crew in slub cotton, garment-dyed for softness and visual depth. The Three-Season Graduate suit, in a breathable linen-wool blend, is designed to move through cool spring mornings to early fall evenings, worn together or apart. And the Big Chino, modeled after 1950s military-issue, brings a high rise and full leg in sulfur-dyed Japanese twill — proof that even the most straightforward piece can carry an abundance of history in its details.